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- THEME Lovely Music, Ltd. LCD 5011, 1999.
- —THEME (1994) for voices and sonorous vessels, on poems of John Ashbery.
- —MUSIC FOR GAMELAN INSTRUMENTS, MICROPHONES, AMPLIFIERS AND LOUDSPEAKERS (1994), Wesleyan University Gamelan
- —MUSIC FOR PIANO WITH MAGNETIC STRINGS (1996), Lois Svard, piano.
- GHOSTS AND MONSTERS: technology and personality in contemporary music. (Various composers) Leonardo music journal CD series, v. 8, 1999.
- —NOTHING IS REAL (STRAWBERRY FIELDS FOREVER) (1990) for piano, amplified teapot, tape recorder and miniature sound system.
- SILVER STREETCAR FOR THE ORCHESTRA Algen CD 120, Berlin, 1998.
- —SILVER STREETCAR FOR THE ORCHESTRA (1988), for amplified triangle, Rainer Romer, triangle.
- 40 ROOMS iEAR Studios CD-ROM, 1998.
- —40 ROOMS (1996), for quintet and LARES system, Barton Workshop.
- AC-DC-VC (Jeffrey Krieger; various composers) Non Sequitur/What Next? Recordings CD WN0022, 1997.
- —INDIAN SUMMER (1993), for solo electronic cello, Jeffrey Krieger, cello.
- PANORAMA Lovely Music, Ltd. LCD 1012, 1997.
- —WIND SHADOWS (1994), for trombone with closely tuned pure wave oscillators, Roland Dahinden, trombone.
- —MUSIC FOR PIANO WITH ONE OR MORE SNARE DRUMS (1992), Hildegard Kleeb, piano.
- —MUSIC FOR PIANO WITH AMPLIFIED SONOROUS VESSELS (1991), Hildegard Kleeb, piano.
- —PANORAMA (1993) for trombone and piano, Roland Dahinden, trombone, Hildegard Kleeb.
- RAS 2 (Various composers) Revista de Arte Sonoro, Number 2, 1997.
- —CHAMBERS (1968), for performers with resonant objects.
- WITTENER TAGE FUR NEUE KAMMERMUSIK, 1997, Live Documentation (Various composers), Westdeutscher Rundfunk, Koln WD97, 1997.
- —NAVIGATIONS FOR STRINGS (1992), Arditti String Quartet.
- LUCIER, WOLFF, SCHLOTHAUER, FREY (Jurg Frey, Various composers) Timescraper Records, EWR 9608, 1996.
- —IN MEMORIAM JON HIGGINS (1985), for clarinet and pure wave oscillator, Jurg Frey, clarinet.
- AUTOMATIC WRITING (Robert Ashley, composer, various performers) Lovely Music LCD 1002, 1996.
- —SHE WAS A VISITOR (Brandeis University Chamber Chorus; Alvin Lucier, director).
- CLOCKER Lovely Music, Ltd. LCD 1019, 1994.
- —CLOCKER (1978), for performer with galvanic skin response sensor, digital delay system and amplified clock.
- U.S.A. (Arditti String Quartet, various composers) Disques Montaigne CD 782010, 1993.
- —FRAGMENTS FOR STRINGS (1961), Arditti String Quartet.
- UPPER AIR OBSERVATION (Barbara Held, various composers), Lovely Music, Ltd. LCD 3031, 1992.
- —SELF PORTRAIT (1989), for solo flute and wind anemometer, Barbara Held, flute.
- MUSIC ON A LONG THIN WIRE, Lovely Music LCD 1011, 1992; CD release of the 1980 LP, with new liner notes.
- —MUSIC ON A LONG THIN WIRE (1977), sound installation for audio oscillator and electronic monochord.
- CROSSINGS, Lovely Music, Ltd. LCD 1018, 1990.
- —IN MEMORIAM JON HIGGINS (1985), for clarinet and pure wave oscillator, Thomas Ridenour, clarinet.
- —SEPTET FOR THREE WINDS, FOUR STRINGS AND PURE WAVE OSCILLATOR (1985), New World Consort.
- —CROSSINGS (1984), for small orchestra with slow sweep, pure wave oscillator, New World Consort.
- I AM SITTING IN A ROOM Lovely Music, Ltd. LP/CD 1013, 1981/1990.
- —I AM SITTING IN A ROOM (1970), for voice and electromagnetic tape, Alvin Lucier, voice.
- IMAGINARY LANDSCAPES (Various Composers) Elektra/Nonesuch 9 79235-2, 1990.
- —MUSIC FOR ALPHA WAVES, ASSORTED PERCUSSION, AND AUTOMATED CODED RELAYS (1980).
- HYPER BEATLES 2 Eastworld (Japan) TOCE 6655.
- —NOTHING IS REAL (STRAWBERRY FIELDS FOREVER) (1990) for piano, amplified teapot, tape recorder and miniature sound system, Aki Takahashi, piano.
- SFERICS, Lovely Music, Ltd. VR 1017, 1988.
- —SFERICS (1980), sound installation and recordings of ionospheric disturbances, for large-loop antennas, tape recorder and playback system.
- —SOUND ON PAPER (1985), sound installation or performance for framed paper, loudspeakers and audio oscillator.
- —MUSIC FOR PURE WAVES, BASS DRUMS AND ACOUSTIC PENDULUMS (1985)
- STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS, Part II Numbers 5-8. Lovely Music, Ltd. VR 1016, 1985.
- —STILL AND MOVING LINES… (1983), for mallet instruments and pure wave oscillators.
- STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS, Part I Numbers 1-4. Lovely Music, Ltd. VR 1015, 1983.
- —STILL AND MOVING LINES… (1983), for voice, clarinet, flute, horn and pure wave oscillators.
- MUSIC FOR SOLO PERFORMER Lovely Music, Ltd. VR 1014, 1982.
- —MUSIC FOR SOLO PERFORMER (1965), for enormously amplified brain waves and percussion.
- MUSIC ON A LONG THIN WIRE, Lovely Music/Vital Records VR 1011/1012, 1980.
- —MUSIC ON A LONG THIN WIRE (1977), sound installation for audio oscillator and electronic monochord.
- BIRD AND PERSON DYNING/THE DUKE OF YORK Cramps Records (Italy), 1975.
- —BIRD AND PERSON DYNING (1975), for performer with microphones, amplifiers, loudspeakers and electronic birdcall .
- —THE DUKE OF YORK (1971), for voice and synthesizers, Alvin Lucier, voice.
- ELECTRONIC SOUND Mainstream MS/5010, 1971.
- —VESPERS (1968), acoustic orientation by means of echolocation, for players with hand-held echolocation devices.
- SOURCE Record # 3.
- —I AM SITTING IN A ROOM (1970), for voice and electromagnetic tape, Alvin Lucier, voice.
- EXTENDED VOICES, new pieces for chorus and for voices altered electronically by sound synthesizers and vocoder (Brandeis University Chamber Chorus; Alvin Lucier, director) In the series, "Music of Our Time," CBS Odyssey Records, 32 16 0155 (mono), 32 16 0156 (stereo), 1968.
- —SOUND PATTERNS (P. Oliveros)
- —NORTH AMERICAN TIME CAPSULE (1967) (A. Lucier), for voices and vocoder.
- —SOLOS FOR VOICE 2 (J. Cage)
- —SHE WAS A VISITOR (R. Ashley)
- —EXTENDED VOICES (T. Ichyanagi)
- —CHORUS AND INSTRUMENTS, II (M. Feldman)
- —CHRISTIAN WOLFF IN CAMBRIDGE (M. Feldman)
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